Thursday, February 25, 2010

From the Vaults: Blogorium Review - Grindhouse


(editor's note: the power situation is far from resolved. That being said, I've been slowly working on a proper review of A Serious Man, though I really feel like I should watch the movie again first. The short version is that I loved the movie. I can't help but feel like another go-round would be helpful, as I get the impression that I'm missing something. Like the first time I saw Barton Fink, but more ephemeral. Anyway, enjoy the review of Grindhouse, from shortly after its release)


It occurred to me that while in Cary, the absolute perfect conditions existed to do something I hadn't done in a long time, which was see a movie with Adam and Cranford, in this case the almost** perfect pairing of theatre to movie; Mission Valley and Grindhouse.

That's right, I watched it, and by golly, I liked it. A whole lot. Cranford and I liked Planet Terror more than Death Proof, and Adam really dug Death Proof. We all liked the trailers equally, and agreed we'd go see any of them that became movies.

The easiest way to digest the experience is just to break it down, because it's more than just two 80 minute movies with trailers, it really is quite a package deal to be involved in.

After stock cards for Coming Attractions and "thanks for coming" spots you might recognize from Kill Bill, we get the first trailer, which is

MACHETE

"He gets the women. He kills the bad guys" "If you hire him to kill the bad guys, make sure the bad guys aren't you" "they fucked with the wrong mexican" Machete plays like the Mark Wahlberg movie Shooter that we'd actually want to see. Danny Trejo kills people in four or five different and brutal ways, and then Cheech Marin is a priest who walks around with two shotguns avenging his brother.

Then we get a title screen that involve kittens and the old R rating screen, one that I admittedly had never seen, and then it's time for

PLANET TERROR

I forgive Robert Rodriguez for Sin City. Really, I do. If you're one of those people who really, REALLY liked The Faculty and From Dusk Til Dawn, or you have a real love jones for the Globus / Cannon era of 80's Sci-Fi / Action / Horror movies that ripped the shit off of John Carpenter and George Romero, then hands down this will be your favorite of the films. Not only does Rodriguez play by those movie rules, he also makes fun of them in ways that don't stand out like a sore thumb.

And look at that cast! Michael Biehn (The Terminator), Jeff Fahey (Body Parts), Tom Savini (please, like I need to tell you who that is), Josh Brolin (The Goonies), Naveed Andrews (Sayid on Lost), Bruce Willis, Nicky Katt (Insomnia), Marley Shelton (Sin City), Michael Parks (From Dusk Til Dawn), Freddy Rodriguez (Six Feet Under), Stacy Ferguson (Yes, Fergie), and Rose McGowan (Scream...?)

I saved McGowan and Ferguson for last because it'd make sense for them to be weak links, but damned if Rose McGowan doesn't really steal this movie right out from everyone else. BEFORE the Machine Gun Leg even. I was beginning to feel like the machine gun looked a little dumb in the ads but much like Shaun of the Dead, context really is everything.Fergie doesn't actually have much to do, but she's actually not sucky in the first great Zombie kill scene in the movie. (Or mutants... it's really up for grabs)

Naveen Andrews... man, if you liked him on Lost, he's really something in what amounts to a cameo. He has a particular fascination with a part of the male anatomy that makes his first scene quite memorable.

I could really rave about Planet Terror, but I'll just leave it at this: Jeff Fahey and Michael Biehn play brothers. One is the Sherriff; the other owns a Bar-B-Que place. And the "missing reel" is f'n funny. And a Nouvelle Vague singing "Too Drunk to Fuck" in a scene not to be missed.

At the point that ended I really had to pee, but there was NO way I was missing my shot at seeing the Thanksgiving trailer again. But first was the ad for:

WEREWOLF WOMEN OF THE SS

Easily the most retarded of the four trailers, Rob Zombie stuck every Ilsa, She Devil of the SS movie into one trailer, added Sybill Danning, Tom Towles, Sherri Moon Zombie, Bill Moseley, Udo Kier, and the BIG surprise, Nicholas Cage. Yes, the same Nic Cage I rip into so readily caught me totally off guard when the announced said "AND NICHOLAS CAGE AS..... FU MANCHU!" and Cage does the most ridiculous Fu Manchu impression ever with the fakest looking moustache you're gonna see this year. The trailer is just quick cuts of every nazi exploitation standby ever, and then repeated shots of some werewolf with a machine gun and two naked she-wolves behind him for no good reason.

After that we got a nice ad for some Barbeque place in Texas called Acuna Brothers with random shots of various foods, and then a trailer to help you vomit said food back up:

DON'T

I'm not even sure I can explain the Don't trailer, because it's really dependent on the Voice Over Guy and how he says things like

"If....You're.....Thinking....of....going....in....that.....house..........DON'T"

and something really strange or disgusting happens. Edgar Wright really fashioned an ad for one of those British movies from the seventies came in the wake of Hammer studios collapsing. Really funny in a disturbing way.

(If it helps, you should think of the trailer as a combination of The Legend of Hell House and The Burning.)

and then, there was

THANKSGIVING

Seeing this online was cool, but seeing the Cheerleader / Trampoline thing with an audience is that much better, as were almost all of the fucked up things Eli Roth does in his two minute slasher money shot homage. I would pay to see Thanksgiving right now if he made it. The same goes for Don't and Machete. I might not pay full price for Werewolf Women of the SS, but I'd see it.

I should mention that in addition to being scratchy, losing audio, and film distortions, in between every "reel" of trailers or movies is a few seconds of white space, as though the projectionist didn't cut it properly and left part of the "tail" on, runing the "illusion". As a former projectionist, I got a kick out of that.

Finally, even though I missed part of the credits, there was

DEATH PROOF

Here's what I don't exactly like about Death Proof: There are VERY long stretches in the beginning and middle of the movie that exist only because Tarantino*** wanted to write Tarantino-esque dialogue for women, and had he only done it the first time, I'd be okay with that, because what happens between those yap fests makes up for it.

What I do like about Death Proof: The driving sequences are the SHIT. When Tarantino drops repeated references to Vanishing Point (going so far as to put the car from Vanishing Point in the movie), he'd damn well better deliver on the car portions, and yes, does he ever. This easily could have been Tarantino slobbering over his standby obsessions again, but instead he simply uses the things he loves about Hot Rod movies and slasher films to make a high octane car chase that rivals The French Connection or Ronin. Really.

Kurt Russell really brings his A-Game to Stuntman Mike, a character that's alternately psychopathic and really, really pathetic, and all of the girls in the second half bring it (including Uma Thurman's stunt woman from Kill Bill, Zoe Bell, who plays herself and does some ridiculous car stunts). The ending will probably remind people a little bit of Faster Pussycat, Kill Kill, as that is the spirit it closest resembles, but there's just that gap between the first time Stuntman Mike looks at the camera and winks and the next time he does that really doesn't need to be.

So anyway, Grindhouse is a SEE IT IN THEATERS, because this is meant to be watched with your rowdiest friends in a raucous crowd in the dive-iest theater you can get to late at night. And don't feel bad if you get up and walk around, because almost everyone else in the theater did at one point or the other, including all three of us. Oh, and we didn't need to say shit, if that tells you anything. The experience is half the fun of the show, so check it out.


** The perfect pairing would've been Grindhouse at The Studio, but since that can't happen anymore,
Mission Valley is a close second.
*** I should mention that QT has roles in Death Proof and Planet Terror, but you're not gonna care about the Death Proof one once you've seen what happens to him in the first movie.

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