Since it is October, and since Cap'n Howdy's Blogorium could be described as "horror themed" in its layout, I guess I should make with the reviewing horror movies that won't be a part of our annual celebration in two weeks. Fortunately for you, dear readers, I have a shelf full of horror flicks waiting to be discussed. We'll start this semi-regular column with 1971's The House that Dripped Blood.
I've made no secret of my love for anthology films, specifically those coming from Amicus Productions, so it was a surprise to me to discover that I'd never gotten around to watching The House that Dripped Blood. It turns out that House is a pretty good addition to their collection of supernaturally based horror films. The cast is great, the direction is atmospheric, and most of the stories work in context.
Like most anthology films, you get four stories with a bit of a wrap-around, and House that Dripped Blood covers most of your horror bases: Spectral Killers, Vampires, Witchcraft, and evil museums / shops of mystery. The stories, by Robert Bloch (author of Psycho) are:
1. A writer (Denholm Elliot) and his wife move into the house in question so he can finish his macabre masterpiece. When his creation, a mad strangler named Dominick, starts to appear in and around the house, he's convinced his grip on reality is slipping.
2. A recently retired businessman (Peter Cushing) moves into the house, and while wandering the nearby town, finds a wax museum of horrors. He becomes obsessed with a figure of Salome that reminds him of a long lost love, and when a visiting friend goes missing, the terrible secret of the museum comes to light.
3. A not-retired businessman (Christopher Lee) and his daughter (Chloe Franks) come to the house to get away from the city. When a tutor (Nyree Dawn Porter) begins to connect with the distant and sheltered child, her true nature comes to light, with terrible consequences.
4. An actor and horror-buff (Jon "The Third Doctor" Pertwee) and his co-star (Ingrid Pitt) rent out the house while he's filming Curse of the Bloodsucker. Convinced that his cape looks too cheap, he visits the mysterious Theo Von Hartmann's shop and buys an authentic vampire cape. Maybe a little too authentic, as he discovers when he puts it on.
The wrap-around story involves a detective (John Bennett) investigating the disappearance of Pertwee's character. The owner of the house, Mr. Stoker (John Bryans) shares the mysterious history of the tenants. When Inspector Holloway finally goes to the house, he finds much more than he expected in the basement...
I think the third and fourth stories were my favorite. Admittedly, the Jon Pertwee story gets quite silly in the middle (especially when he puts the cape on after midnight and reacts hammily to his fangs and... flying), but it is salvaged by Holloway's visit, one that ties up the film nicely.
The first story, about the writer and his mad killer, suffers from a rushed ending, one that relies on you paying attention to a last second development based on a character you just met. The set up is wonderful, and most of the lingering architectural shots and creepy ornaments does soften the weak ending.
Despite the really trippy dream imagery in the second story, the ending just doesn't make sense. Something happens to the wax figure that, if what the owner says is true, would render it impossible to be fixed in time for the last shot. The final image, on the other hand, is a pretty good one.
Despite the fact that the film (rated PG) is virtually bloodless, there's plenty of atmosphere and suggested horrors to raise a bit of a chill. This is more evident in the witchcraft story with Christopher Lee, which relies entirely on suggestion for its gruesome finale. The House that Dripped Blood isn't as gory as Tales from the Crypt or From Beyond the Grave, and it might come off as a little tame compared to what was to come. However, taken with the much earlier Dr. Terror's House of Horrors, I think House fits the Amicus m.o.
Finally. the title is a little misleading, because while the film is about four tenants who died (separately) in the same house, at least two of the stories really have nothing to do with house as evil. They attempt to tie everything together with Stoker directly addressing the audience (something that seemed strangely familiar, although I'm convinced I've never seen this before), but if you're willing to put the misnomer of the title aside, it's a fun little spookshow you could probably scare children with - and not scar them permanently.
Showing posts with label Evil Houses. Show all posts
Showing posts with label Evil Houses. Show all posts
Saturday, October 17, 2015
Tuesday, October 22, 2013
Shocktober Revisited: The House That Dripped Blood
Since it is October, and since Cap'n Howdy's Blogorium could be
described as "horror themed" in its layout, I guess I should make with
the reviewing horror movies that won't be a part of our annual
celebration in two weeks. Fortunately for you, dear readers, I have a
shelf full of horror flicks waiting to be discussed. We'll start this
semi-regular column with 1971's The House that Dripped Blood.
I've made no secret of my love for anthology films, specifically those coming from Amicus Productions, so it was a surprise to me to discover that I'd never gotten around to watching The House that Dripped Blood. It turns out that House is a pretty good addition to their collection of supernaturally based horror films. The cast is great, the direction is atmospheric, and most of the stories work in context.
Like most anthology films, you get four stories with a bit of a wrap-around, and House that Dripped Blood covers most of your horror bases: Spectral Killers, Vampires, Witchcraft, and evil museums / shops of mystery. The stories, by Robert Bloch (author of Psycho) are:
1. A writer (Denholm Elliot) and his wife move into the house in question so he can finish his macabre masterpiece. When his creation, a mad strangler named Dominick, starts to appear in and around the house, he's convinced his grip on reality is slipping.
2. A recently retired businessman (Peter Cushing) moves into the house, and while wandering the nearby town, finds a wax museum of horrors. He becomes obsessed with a figure of Salome that reminds him of a long lost love, and when a visiting friend goes missing, the terrible secret of the museum comes to light.
3. A not-retired businessman (Christopher Lee) and his daughter (Chloe Franks) come to the house to get away from the city. When a tutor (Nyree Dawn Porter) begins to connect with the distant and sheltered child, her true nature comes to light, with terrible consequences.
4. An actor and horror-buff (Jon "The Third Doctor" Pertwee) and his co-star (Ingrid Pitt) rent out the house while he's filming Curse of the Bloodsucker. Convinced that his cape looks too cheap, he visits the mysterious Theo Von Hartmann's shop and buys an authentic vampire cape. Maybe a little too authentic, as he discovers when he puts it on.
The wrap-around story involves a detective (John Bennett) investigating the disappearance of Pertwee's character. The owner of the house, Mr. Stoker (John Bryans) shares the mysterious history of the tenants. When Inspector Holloway finally goes to the house, he finds much more than he expected in the basement...
I think the third and fourth stories were my favorite. Admittedly, the Jon Pertwee story gets quite silly in the middle (especially when he puts the cape on after midnight and reacts hammily to his fangs and... flying), but it is salvaged by Holloway's visit, one that ties up the film nicely.
The first story, about the writer and his mad killer, suffers from a rushed ending, one that relies on you paying attention to a last second development based on a character you just met. The set up is wonderful, and most of the lingering architectural shots and creepy ornaments does soften the weak ending.
Despite the really trippy dream imagery in the second story, the ending just doesn't make sense. Something happens to the wax figure that, if what the owner says is true, would render it impossible to be fixed in time for the last shot. The final image, on the other hand, is a pretty good one.
Despite the fact that the film (rated PG) is virtually bloodless, there's plenty of atmosphere and suggested horrors to raise a bit of a chill. This is more evident in the witchcraft story with Christopher Lee, which relies entirely on suggestion for its gruesome finale. The House that Dripped Blood isn't as gory as Tales from the Crypt or From Beyond the Grave, and it might come off as a little tame compared to what was to come. However, taken with the much earlier Dr. Terror's House of Horrors, I think House fits the Amicus m.o.
Finally. the title is a little misleading, because while the film is about four tenants who died (separately) in the same house, at least two of the stories really have nothing to do with house as evil. They attempt to tie everything together with Stoker directly addressing the audience (something that seemed strangely familiar, although I'm convinced I've never seen this before), but if you're willing to put the misnomer of the title aside, it's a fun little spookshow you could probably scare children with - and not scar them permanently.
I've made no secret of my love for anthology films, specifically those coming from Amicus Productions, so it was a surprise to me to discover that I'd never gotten around to watching The House that Dripped Blood. It turns out that House is a pretty good addition to their collection of supernaturally based horror films. The cast is great, the direction is atmospheric, and most of the stories work in context.
Like most anthology films, you get four stories with a bit of a wrap-around, and House that Dripped Blood covers most of your horror bases: Spectral Killers, Vampires, Witchcraft, and evil museums / shops of mystery. The stories, by Robert Bloch (author of Psycho) are:
1. A writer (Denholm Elliot) and his wife move into the house in question so he can finish his macabre masterpiece. When his creation, a mad strangler named Dominick, starts to appear in and around the house, he's convinced his grip on reality is slipping.
2. A recently retired businessman (Peter Cushing) moves into the house, and while wandering the nearby town, finds a wax museum of horrors. He becomes obsessed with a figure of Salome that reminds him of a long lost love, and when a visiting friend goes missing, the terrible secret of the museum comes to light.
3. A not-retired businessman (Christopher Lee) and his daughter (Chloe Franks) come to the house to get away from the city. When a tutor (Nyree Dawn Porter) begins to connect with the distant and sheltered child, her true nature comes to light, with terrible consequences.
4. An actor and horror-buff (Jon "The Third Doctor" Pertwee) and his co-star (Ingrid Pitt) rent out the house while he's filming Curse of the Bloodsucker. Convinced that his cape looks too cheap, he visits the mysterious Theo Von Hartmann's shop and buys an authentic vampire cape. Maybe a little too authentic, as he discovers when he puts it on.
The wrap-around story involves a detective (John Bennett) investigating the disappearance of Pertwee's character. The owner of the house, Mr. Stoker (John Bryans) shares the mysterious history of the tenants. When Inspector Holloway finally goes to the house, he finds much more than he expected in the basement...
I think the third and fourth stories were my favorite. Admittedly, the Jon Pertwee story gets quite silly in the middle (especially when he puts the cape on after midnight and reacts hammily to his fangs and... flying), but it is salvaged by Holloway's visit, one that ties up the film nicely.
The first story, about the writer and his mad killer, suffers from a rushed ending, one that relies on you paying attention to a last second development based on a character you just met. The set up is wonderful, and most of the lingering architectural shots and creepy ornaments does soften the weak ending.
Despite the really trippy dream imagery in the second story, the ending just doesn't make sense. Something happens to the wax figure that, if what the owner says is true, would render it impossible to be fixed in time for the last shot. The final image, on the other hand, is a pretty good one.
Despite the fact that the film (rated PG) is virtually bloodless, there's plenty of atmosphere and suggested horrors to raise a bit of a chill. This is more evident in the witchcraft story with Christopher Lee, which relies entirely on suggestion for its gruesome finale. The House that Dripped Blood isn't as gory as Tales from the Crypt or From Beyond the Grave, and it might come off as a little tame compared to what was to come. However, taken with the much earlier Dr. Terror's House of Horrors, I think House fits the Amicus m.o.
Finally. the title is a little misleading, because while the film is about four tenants who died (separately) in the same house, at least two of the stories really have nothing to do with house as evil. They attempt to tie everything together with Stoker directly addressing the audience (something that seemed strangely familiar, although I'm convinced I've never seen this before), but if you're willing to put the misnomer of the title aside, it's a fun little spookshow you could probably scare children with - and not scar them permanently.
Labels:
70s Cheese,
Anthologies,
Doctor Who,
Evil Houses,
Reviews,
Spooky Doom,
Vampires,
Witchcraft
Friday, October 8, 2010
Top Ten Horror Movies
You got lucky, Blogorium readers: the Cap'n was thinking of taking the night off, what with a wedding to attend tomorrow, but a social network-related message from an old co-worker prompted your fearless leader to spend far more time than should be necessary to put together a list.
His message, in its entirety, read "top ten horror films..."
So you try that. Try to do it quickly. Maybe you can, maybe you can't. Do you go for the easy answers? The best known favorites? Do you throw in something that you love but you know others aren't as familiar with? Is that why he asked the Cap'n in the first place? Am I supposed to go unorthodox?
After mulling it over, I put in the first two without hesitation. Here's the entire list (which is technically twelve movies, so sue me):

The Haunting (1963)
The Evil Dead
Let the Right One In
Re-Animator / From Beyond
The Wicker Man (1978)
Night of the Living Dead
In the Mouth of Madness
Hellbound: Hellraiser II
Friday the 13th: The Final Chapter
From Beyond the Grave / Tales from the Crypt
Notice I left out the entirety of the Universal "Classic Horror" films, in part because as much as I love Frankenstein, The Wolf Man, The Mummy, The Invisible Man, The Creature from the Black Lagoon, and Dracula, I feel like everybody's seen them at one point or another in their life. The same cannot always be said of The Evil Dead and Night of the Living Dead, which are recognized more for having popular sequels than are seen.
I left off A Nightmare on Elm Street... well, I'm not sure why. Most of you (I'd imagine all of you reading this) have seen the first Nightmare over and over again, and maybe I just wanted to branch out a little bit. Even rabid fans of Re-Animator haven't necessarily seen From Beyond, which is as good if not better. I remain an ardent supporter of John Carpenter's In the Mouth of Madness, in part because it's construction replicates the experience of reading H.P. Lovecraft in a way most direct Lovecraft adaptations don't.
As sequels go, Hellbound and The Final Chapter are on par with the original film and in many ways both more successful. From Beyond the Grave and Tales from the Crypt are two of my favorite anthology films, a sub-genre in horror that doesn't get enough love from my perspective.
Oh, and The Haunting and The Wicker Man just creep me out. Put them on late at night, in the dark, right before bed. Good luck sleeping.
One thing I'd like to point out is until the very last second Terrovision was in the "top ten" list, and then I replaced it with Let the Right One In, which is a hard - but fair - substitution. Slashers films didn't get much of a showing there, and neither did "true story" movies like Henry: Portrait of a Serial Killer or The Texas Chainsaw Massacre. Horror comedies went largely unrepresented, but what can you do? I had ten spots to fill and no more.
As I challenged him, so too do I challenge you to provide me with your top ten horror films. Would you include Near Dark? Return of the Living Dead? Black Christmas? Ginger Snaps? An American Werewolf in London? The Fall of the House of Usher? Suspiria? The Hills have Eyes? The Horror of Dracula? Nosferatu? The Exorcist? Martin? The Thing? Phantasm? [REC]? Cat People?
You have ten slots to fill. You can push it to twelve, but they'd better be closely linked, and no more. Good luck.
His message, in its entirety, read "top ten horror films..."
So you try that. Try to do it quickly. Maybe you can, maybe you can't. Do you go for the easy answers? The best known favorites? Do you throw in something that you love but you know others aren't as familiar with? Is that why he asked the Cap'n in the first place? Am I supposed to go unorthodox?
After mulling it over, I put in the first two without hesitation. Here's the entire list (which is technically twelve movies, so sue me):

The Haunting (1963)
The Evil Dead
Let the Right One In
Re-Animator / From Beyond
The Wicker Man (1978)
Night of the Living Dead
In the Mouth of Madness
Hellbound: Hellraiser II
Friday the 13th: The Final Chapter
From Beyond the Grave / Tales from the Crypt
Notice I left out the entirety of the Universal "Classic Horror" films, in part because as much as I love Frankenstein, The Wolf Man, The Mummy, The Invisible Man, The Creature from the Black Lagoon, and Dracula, I feel like everybody's seen them at one point or another in their life. The same cannot always be said of The Evil Dead and Night of the Living Dead, which are recognized more for having popular sequels than are seen.
I left off A Nightmare on Elm Street... well, I'm not sure why. Most of you (I'd imagine all of you reading this) have seen the first Nightmare over and over again, and maybe I just wanted to branch out a little bit. Even rabid fans of Re-Animator haven't necessarily seen From Beyond, which is as good if not better. I remain an ardent supporter of John Carpenter's In the Mouth of Madness, in part because it's construction replicates the experience of reading H.P. Lovecraft in a way most direct Lovecraft adaptations don't.
As sequels go, Hellbound and The Final Chapter are on par with the original film and in many ways both more successful. From Beyond the Grave and Tales from the Crypt are two of my favorite anthology films, a sub-genre in horror that doesn't get enough love from my perspective.
Oh, and The Haunting and The Wicker Man just creep me out. Put them on late at night, in the dark, right before bed. Good luck sleeping.
One thing I'd like to point out is until the very last second Terrovision was in the "top ten" list, and then I replaced it with Let the Right One In, which is a hard - but fair - substitution. Slashers films didn't get much of a showing there, and neither did "true story" movies like Henry: Portrait of a Serial Killer or The Texas Chainsaw Massacre. Horror comedies went largely unrepresented, but what can you do? I had ten spots to fill and no more.
As I challenged him, so too do I challenge you to provide me with your top ten horror films. Would you include Near Dark? Return of the Living Dead? Black Christmas? Ginger Snaps? An American Werewolf in London? The Fall of the House of Usher? Suspiria? The Hills have Eyes? The Horror of Dracula? Nosferatu? The Exorcist? Martin? The Thing? Phantasm? [REC]? Cat People?
You have ten slots to fill. You can push it to twelve, but they'd better be closely linked, and no more. Good luck.
Friday, October 16, 2009
Spooky Doom: The House that Dripped Blood
Since it is October, and since Cap'n Howdy's Blogorium could be described as "horror themed" in its layout, I guess I should make with the reviewing horror movies that won't be a part of our annual celebration in two weeks. Fortunately for you, dear readers, I have a shelf full of horror flicks waiting to be discussed. We'll start this semi-regular column with 1971's The House that Dripped Blood.
I've made no secret of my love for anthology films, specifically those coming from Amicus Productions, so it was a surprise to me to discover that I'd never gotten around to watching The House that Dripped Blood. It turns out that House is a pretty good addition to their collection of supernaturally based horror films. The cast is great, the direction is atmospheric, and most of the stories work in context.
Like most anthology films, you get four stories with a bit of a wrap-around, and House that Dripped Blood covers most of your horror bases: Spectral Killers, Vampires, Witchcraft, and evil museums / shops of mystery. The stories, by Robert Bloch (author of Psycho) are:
1. A writer (Denholm Elliot) and his wife move into the house in question so he can finish his macabre masterpiece. When his creation, a mad strangler named Dominick, starts to appear in and around the house, he's convinced his grip on reality is slipping.
2. A recently retired businessman (Peter Cushing) moves into the house, and while wandering the nearby town, finds a wax museum of horrors. He becomes obsessed with a figure of Salome that reminds him of a long lost love, and when a visiting friend goes missing, the terrible secret of the museum comes to light.
3. A not-retired businessman (Christopher Lee) and his daughter (Chloe Franks) come to the house to get away from the city. When a tutor (Nyree Dawn Porter) begins to connect with the distant and sheltered child, her true nature comes to light, with terrible consequences.
4. An actor and horror-buff (Jon Pertwee) and his co-star (Ingrid Pitt) rent out the house while he's filming Curse of the Bloodsucker. Convinced that his cape looks too cheap, he visits the mysterious Theo Von Hartmann's shop and buys an authentic vampire cape. Maybe a little too authentic, as he discovers when he puts it on.
The wrap-around story involves a detective (John Bennett) investigating the disappearance of Pertwee's character. The owner of the house, Mr. Stoker (John Bryans) shares the mysterious history of the tenants. When Inspector Holloway finally goes to the house, he finds much more than he expected in the basement...
I think the third and fourth stories were my favorite. Admittedly, the Jon Pertwee story gets quite silly in the middle (especially when he puts the cape on after midnight and reacts hammily to his fangs and... flying), but it is salvaged by Holloway's visit, one that ties up the film nicely.
The first story, about the writer and his mad killer, suffers from a rushed ending, one that relies on you paying attention to a last second development based on a character you just met. The set up is wonderful, and most of the lingering architectural shots and creepy ornaments does soften the weak ending.
Despite the really trippy dream imagery in the second story, the ending just doesn't make sense. Something happens to the wax figure that, if what the owner says is true, would render it impossible to be fixed in time for the last shot. The final image, on the other hand, is a pretty good one.
Despite the fact that the film (rated PG) is virtually bloodless, there's plenty of atmosphere and suggested horrors to raise a bit of a chill. This is more evident in the witchcraft story with Christopher Lee, which relies entirely on suggestion for its gruesome finale. The House that Dripped Blood isn't as gory as Tales from the Crypt or From Beyond the Grave, and it might come off as a little tame compared to what was to come. However, taken with the much earlier Dr. Terror's House of Horrors, I think House fits the Amicus m.o.
Finally. the title is a little misleading, because while the film is about four tenants who died (separately) in the same house, at least two of the stories really have nothing to do with house as evil. They attempt to tie everything together with Stoker directly addressing the audience (something that seemed strangely familiar, although I'm convinced I've never seen this before), but if you're willing to put the misnomer of the title aside, it's a fun little spookshow you could probably scare children with - and not scar them permanently.
I've made no secret of my love for anthology films, specifically those coming from Amicus Productions, so it was a surprise to me to discover that I'd never gotten around to watching The House that Dripped Blood. It turns out that House is a pretty good addition to their collection of supernaturally based horror films. The cast is great, the direction is atmospheric, and most of the stories work in context.
Like most anthology films, you get four stories with a bit of a wrap-around, and House that Dripped Blood covers most of your horror bases: Spectral Killers, Vampires, Witchcraft, and evil museums / shops of mystery. The stories, by Robert Bloch (author of Psycho) are:
1. A writer (Denholm Elliot) and his wife move into the house in question so he can finish his macabre masterpiece. When his creation, a mad strangler named Dominick, starts to appear in and around the house, he's convinced his grip on reality is slipping.
2. A recently retired businessman (Peter Cushing) moves into the house, and while wandering the nearby town, finds a wax museum of horrors. He becomes obsessed with a figure of Salome that reminds him of a long lost love, and when a visiting friend goes missing, the terrible secret of the museum comes to light.
3. A not-retired businessman (Christopher Lee) and his daughter (Chloe Franks) come to the house to get away from the city. When a tutor (Nyree Dawn Porter) begins to connect with the distant and sheltered child, her true nature comes to light, with terrible consequences.
4. An actor and horror-buff (Jon Pertwee) and his co-star (Ingrid Pitt) rent out the house while he's filming Curse of the Bloodsucker. Convinced that his cape looks too cheap, he visits the mysterious Theo Von Hartmann's shop and buys an authentic vampire cape. Maybe a little too authentic, as he discovers when he puts it on.
The wrap-around story involves a detective (John Bennett) investigating the disappearance of Pertwee's character. The owner of the house, Mr. Stoker (John Bryans) shares the mysterious history of the tenants. When Inspector Holloway finally goes to the house, he finds much more than he expected in the basement...
I think the third and fourth stories were my favorite. Admittedly, the Jon Pertwee story gets quite silly in the middle (especially when he puts the cape on after midnight and reacts hammily to his fangs and... flying), but it is salvaged by Holloway's visit, one that ties up the film nicely.
The first story, about the writer and his mad killer, suffers from a rushed ending, one that relies on you paying attention to a last second development based on a character you just met. The set up is wonderful, and most of the lingering architectural shots and creepy ornaments does soften the weak ending.
Despite the really trippy dream imagery in the second story, the ending just doesn't make sense. Something happens to the wax figure that, if what the owner says is true, would render it impossible to be fixed in time for the last shot. The final image, on the other hand, is a pretty good one.
Despite the fact that the film (rated PG) is virtually bloodless, there's plenty of atmosphere and suggested horrors to raise a bit of a chill. This is more evident in the witchcraft story with Christopher Lee, which relies entirely on suggestion for its gruesome finale. The House that Dripped Blood isn't as gory as Tales from the Crypt or From Beyond the Grave, and it might come off as a little tame compared to what was to come. However, taken with the much earlier Dr. Terror's House of Horrors, I think House fits the Amicus m.o.
Finally. the title is a little misleading, because while the film is about four tenants who died (separately) in the same house, at least two of the stories really have nothing to do with house as evil. They attempt to tie everything together with Stoker directly addressing the audience (something that seemed strangely familiar, although I'm convinced I've never seen this before), but if you're willing to put the misnomer of the title aside, it's a fun little spookshow you could probably scare children with - and not scar them permanently.
Labels:
Anthologies,
Doctor Who,
Evil Houses,
Reviews,
Spooky Doom,
Vampires,
Witchcraft
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