Showing posts with label Donnie Darko. Show all posts
Showing posts with label Donnie Darko. Show all posts

Wednesday, December 30, 2009

2009 Recap Presents: Five Movies I Hope I Never See Again

After giving you fine readers some ideas of how to recap your decade last night, I thought I'd turn to the dark side for tonight's installment of the Cap'n's 2009 Recap. Try as I might to find something else, the greatest offenders this year tend to coincide with So You Won't Have To's, so I'm going to provide links to those reviews and spend as little time beating these dead horses as possible.

The good stuff comes tomorrow, and probably in two parts: My Favorite Movies of 2009 and the Honorable Mentions. But first, we must reflect back, lest we forget. So I present to you Five Movies I Hope I Never See Again, in order of heinousness.

5. My Bloody Valentine 3-D - Talk about a movie that killed the 3-D experience for Summer Fest. Had it not been for Friday the 13th Part III, the gimmick portion of our July marathon could have belly flopped.

Nothing about My Bloody Valentine 3-D works: not the gore, not the nudity, not the story - which painfully tries to out-think the original film - and certainly not the acting. The film might have been salvaged by the use of that extra dimension, but instead only seemed interested in making forests appear to have more depth. I regret subjecting unknowing viewers to this stinker, and now I'm strongly reconsidering the new "3-D" movement.

4. Righteous Kill - This is the kind of movie that's such a waste of time I had to remind myself I watched it. Pacino and DeNiro are parodies of themselves, the story "twist" is laughable, and I'm still chuckling about how ridiculous that 50 Cent dummy looks when thrown out of a window. I'd tell you more, but honestly I only remember that I won't watch it again.

3. s. Darko: A Donnie Darko Tale - I watched it so that you wouldn't have to, although I suspect few people really harbored any interest in a sequel to Donnie Darko that had nothing to do with its creator Richard Kelly. Truth be told, had the second trailer not duped me with pretty imagery, I too would have taken a pass. But instead, I watched it, and even pretty pictures can only get you so far when the story is garbage. The geniuses behind s. Darko seemed to think that killing your main character in the middle of the film, only to bring her back and invalidate everything that happened between, was a good idea. No, it was a waste of my time, a movie filled with cheap carbon copies of characters from Donnie Darko and undercooked science fiction elements they hoped would pass off as "deep". Avoid at all costs, even if that pan boosted blogorium readers for two weeks.

2. The Limits of Control - I can put up with movies that are self indulgent. I can put up with movies that don't go anywhere, or that are essentially exercises in repetition. But something about The Limits of Control got under my skin and the subsequent scratch of that itch drew blood. I do not simply dislike The Limits of Control, I hate The Limits of Control. I hate that a director who I enjoy so much made such an obvious, stupid, boring film. I hate the half baked attempts at intertextuality, the insipid conversations, and the ham-handed insertion of "meaning" into the last act of the film.

I hate the way that the film doesn't end, so much as the camera runs out of film and stops, a final "fuck you. this movie doesn't have to have an ending, suckers!" I hate that I wasted two hours watching The Limits of Control, and that it felt like four hours. I hate this film.

1. Friday the 13th Shit Coffin - Speaking of hate... I was so angry at Friday the 13th the remake that I couldn't be bothered to give it a full review. It still doesn't seem worth my time to waste energy on this Shit Coffin of cinema. To make it perfectly clear to any of its defenders that the remake fundamentally misses the point of the first four Friday the 13th films (which Platinum Dunes claims it's based on), the Cap'n watched all four films at various points over the year, and Shit Coffin manages to capture none of the fun, the suspense, the violence, and the atmosphere of any of them.

Instead, the movie arbitrarily lifts scenes, drops them in willy-nilly, and relies on a "rawkin" soundtrack and this month's dispensable CW stars to stand around waiting for Derek Mears to kill them. The tunnels are stupid, the dismissal of the summer camp is stupid. The POT FARM is stupid! And even if you don't agree that Jason might be growing the pot, you can't argue that he doesn't kill everybody who gets near the farm. On top of that, the reveal of his hockey mask is so inane, so arbitrary, that I felt ripped off even after checking it out from work. I am much more likely to watch Rob Zombie's Halloween 2 than I am to waste another minute on Platinum Dunes' future mangling of Freddy and Jason.


Dishonorable Mention: Street Fighter - The Legend of Chun-Li, Mega Shark vs Giant Octopus, The Haunted World of El Superbeasto, and on a technicality - My Name is Bruce.

Wednesday, May 13, 2009

It's not my fault; I watched Lost before writing this...

I'm a little frazzled after pulling an all-nighter to wrap up school jazz, and while I'm not really happy with the "why is this on Blu Ray" piece, I'm also not in the mood for some revisionist blogging.

As promised, s. Darko arrived yesterday, and it's taking considerable effort not to follow common sense and mail that sucker back. It's even harder since the other movies that arrived with it are the Luc Besson produced Taken (with Liam Neeson) and The Hit, an early Stephen Frears (Dirty Pretty Things, High Fidelity) crime film starring Terence Stamp, John Hurt, and Tim Roth.

I'd love to watch either of those movies first, but I have promised to do so that you won't have to. I really feel like I should watch Donnie Darko again first, just so that I can distinguish misappropriated time travel logic from the original film. And I do mean the original, theatrical, film, not the over-explaining-hit-you-over-the-head Director's Cut. What I enjoyed about Donnie Darko the first time that I saw it was the film had just enough suggestion of logic behind what was happening to Donnie but not enough to do all of the work for you. Not knowing everything about Roberta Sparrow's book or how the "manipulated dead" meet "living receivers" yadda yadda actually makes working out the Frank / Donnie dynamic more interesting, at least to me.

Sadly, s. Darko sounds like more jargon and less suggestion, to the point reviews have openly recommended forgetting the sequel even exists. Why anyone would shell out 27.99 at Best Buy for this, I don't know, but I bet someone did.

Anyway, that's a preamble for tomorrow's rant. Or - who knows - I could love it. Yeah, and I could give Southland Tales a second chance. Hah!

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I wish I had something substantive to add today, but instead I have some pictures. It's one thing to say that Short Circuit looks better than it deserves to; it's another entirely to show you. Mind you, this is a picture of a tv screen, so there's some resolution lost in translation, but I think you'll get the idea.

They should all be clickable for (much) larger versions.







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Really, wouldn't you all rather read a review of Taken tomorrow? Or The Hit?

No! I must soldier on so that others need not suffer from ignorance.

Monday, May 11, 2009

The Dreaded Cousin of the Remake: The Unnecessary Sequel!

Before diving right into the subject of "did we really need THAT in high definition?" tomorrow, I thought I'd touch upon a similar subject and revisit the dreaded "unnecessary sequel."

Our first sequel is one I'd honestly forgotten existed, until a review of it popped up online: The Descent 2. There was maybe a 20% chance of getting me to see it in the first place, and that was only because of the Aliens-like premise of a search team going in following the events of The Descent. Then I heard about why they were going in, and there's no reason to watch this movie.

For those of you who haven't seen The Descent, I'm going to have to spoil it a little bit for you: there are technically two endings to the film. Director Neil Marshall had his original ending which is a downer but links up nicely to the beginning of the film, but Lionsgate didn't feel like that ending tested well, so they changed it. In the "American" cut, a dream sequence that precedes the actual ending is now the ending, complete with a last second "jump" scare for the audience. The chief difference between the two is that one implies a character lives and the other one makes it clear there's no hope.

(From here on out I'm going to be kind of deliberately vague in case you want to see The Descent, which I highly recommend.)

The Descent 2 is a sequel to the "American" cut, so I don't even know how it'll be legible to audiences outside of the U.S. Personally speaking, I like the "downbeat" ending more and am a bit surprised the director of this movie (not Neil Marshall) talked the actress into coming back. Let alone two of them. The explanation for the second not-dead character is the impetus for our heroine returning to the caves of Appalachia. Her father is a Congressman or Senator or something like that, so he drags our newly-christened British Ripley back underground with a group of, I don't know, State Troopers? They get lost, monsters attack, it's Aliens in caves.

However, in a movie that pretty much betrays the dynamic between characters in The Descent, the other "should be dead but now isn't" character has become a bad-ass monster killer, just like our lead from the first film. That's dumb in and of itself, but this character is also a) the reason the girls went into the wrong cave in the first place, b) killed one of her friends and lied about it, and c) was the ONE person the heroine from The Descent had the chance to save and DIDN'T! Why would she go back to expose that?

So yeah, any hopes of me wanting to see The Descent 2 are dashed. This sounds like a pointless cash-in on the title by folks not related to the first film, ala s. Darko. Speaking of which...

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As the Cap'n promised, so that you won't have to, I will sit down and watch s. Darko: A Donnie Darko Tale (I swear to you that's the whole title) either on Wednesday or Thursday*, despite the litany of bad reviews I've been seeing. What can I say? I'm a glutton for punishment sometimes, and as horrible of an idea as s. Darko is, the trailer kind of captured the vibe of Donnie Darko. Kind of.

Periodically I'll look into a sequel which is tangentially related to the original film, and while there's not really a reason to care about Samantha Darko's adventures or history of Frank the Bunny sightings, I don't see what other direction they could have gone in. Why they'd do it at all is a question I can answer for you: because anyone who can talk themselves into liking Southland Tales** will probably buy a copy of s. Darko in the hopes it captures some of their obsession with the Donnie Darko universe. The producers knew that, so they made a sequel no one was asking for.

But then again was anyone seriously asking for a Predator movie with Danny Glover and Gary Busey? And look how awesome that turned out to be***!

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That leads us nicely into tomorrow's piece, which will try to answer the question "Why is Predator 2 coming out on Blu Ray instead of, say, The African Queen?" I'll also try to figure out why so many mid-90s action films are available when it's clear that other studio classics have also been remastered in HD but aren't on shelves. See you then.


P.S. I'm terribly saddened to see so many negative reviews of The Limits of Control, the new movie from Jim Jarmusch. Even the ones that try to be positive admit that basically the movie is an exercise of repetition for 116 minutes in order to test how long people will wait for nothing to happen. Bummer.



* Let me be totally honest here. It's probably going to be Thursday because I don't want to be angry before or after the season finale of Dinosaur Island.
** You would have to talk yourself into liking that hodgepodge of bad ideas, and if any fanatic can do it, Darko-heads can. Trust me, I've seen them.
*** Don't get it twisted: s. Darko will not be as awesome as Predator 2, I can promise you that. Also, I'm not insinuating Predator 2 is not awesome because it IS, dammit.