Showing posts with label Ninja. Show all posts
Showing posts with label Ninja. Show all posts
Sunday, July 13, 2014
Summer Fest Recap: Day Two (Part Two)
So it's late, and everybody's heading out in order to crash. Some of them didn't make it through the last movie of the night, and that's probably for the best. I'll give you as good a recap as I can using the not-at-all patented "breakdown" list format, and then I'm going to pass out. There's still a Summer Fest Sunday to do...
Deadly Prey
Year of Production: 1987
What's the Haps, Cap?: Col. John Hogan (David Campbell) has gone rogue, and is training a hand-picked group of elite soldiers to serve as mercenaries for hire. Hogan doesn't believe in "practice" drills, so he kidnaps people off of the street and brings them to his base (75 miles south of Los Angeles) for a "most dangerous game" scenario. His financier, Michaelson (Troy Donahue) doesn't approve, but Hogan believes only the best will do. When he's unsatisfied with the latest "target," he sends his right hand man, Lt. Thornton (Fritz Matthews) to find someone who might be a real challenge. Little do Hogan and Thornton know they've found more than a formidable target... they brought back the Deadly Prey!
Who's the Hero: That would be Mike Danton (Ted Prior), who is taking the garbage out when Thornton and some goons pull up in an unmarked van, grab him, and drive away. Danton isn't just some dude taking out the trash, though - he's a one man army. It doesn't take Mike long to make mince meat out of the soldiers hunting him, and when Hogan realizes who they took, things get personal. Danton was Hogan's protégé back in "the war," and the Colonel will do anything necessary to keep our hero from ruining his operation.
Bad Science: Apparently, you can trigger C4 using nothing but a tripwire. No explosives needed, if I understand the trap than Danton sets up late in the film. Other than that, it's just a series of somewhat questionable physics involving his other traps, including ones he sets and then doesn't use until much, much later in the film.
Other Bad Ideas: Don't kidnap a guy in front of his house in broad daylight, and especially not Mike Danton. If you're going to have "hillbillies" in your movie, it might help if they sounded like hillbillies, even if it is California. Train your soldiers how to shoot before you send them out hunting, because these guys couldn't hit the broad side of a barn. It's embarrassing. Speaking of embarrassing, Ted Prior may have some of the worst line delivery this side of Samurai Cop's Matt Hannon. His "kill one-liners" consist of "die!" and... uh, "die!" I gather that he's the star because his brother, director David A. Prior (Killer Workout) wanted to showcase his, uh, skills (that or his ability to run around the woods barefoot and in short shorts), but yeah, not the best showcase for him. (A cursory check on IMDB informs me that Ted Prior was also in Killer Workout, Surf Nazis Must Die, and Sledgehammer prior to Deadly Prey).
Previous Summer Fest Connection: As you may have noticed just above, David A. Prior and Ted Prior were involved in Summer Fest 5's Killer Workout, and so was Fritz Matthews. A different David Campbell appears to be in respective films - maybe Prior had a fondness for the name. Somewhat surprisingly, neither Troy Donahue (Michaelson) nor Cameron Mitchell (Danton's father-in-law) have been in movies shown at previous fests, despite their prolific filmographies dating back to the 1950s. However, reading their IMDB pages, I now have some good ideas for next year...
Best Nickname for a Character in Deadly Prey: goes to Fritz Weaver, who looks like he was hired because of his resemblance to a certain WWF super star. Accordingly, he got the nickname "Mildly Marty Pepper" early on. The name stuck.
Recurring Summer Fest Themes: Films Released in the Same Year, Explosions in Close Proximity to Actors, Vehicular Chicanery, Gratudity (just Danton, really).
Final Prognosis: I can't hate a movie too much when the protagonist cuts a dude's arm off and then beats him to death with it. There are so many improbably stupid things that happen, including Danton walking(?) home and then coming back, setting up traps that would only come in handy in very specific circumstances, or not using a gun until the end of the movie. At one point he seeks cover from gunfire behind a tree he's clearly wider than. Troy Donahue's acting had us convinced he was just a producer that wanted a part in the film. I haven't even mentioned Dantons wife, Jaimy (Suzzane Tara), because if there's anybody who really gets a raw deal in this movie, it's her. Even Sybill (Dawn Abraham), Hogan's other sidekick, has more to do in the movie than Jaimy does. Deadly Prey isn't by any means an action classic, but it's a lot of fun.
Savage Beach
Year of Production: 1989
What's the Haps, Cap?: Well, let's see... our favorite secret agents / tour guides / pilots / couriers / Playboy Bunnies Donna (Dona Speir) and Taryn (Hope Marie Carlton) are back after having adventures in Hard Ticket to Hawaii and Picasso Trigger. They're sent to check up on some shenanigans involving the military, a potential coup in the Phillippines, and Japanese gold that went missing during World War II. There's espionage, backstabbing, and a missing soldier who has been living alone for forty years... on SAVAGE BEACH!!!!
Who's the Hero: Donna and Taryn are presumably our protagonists, but in typical Andy Sidaris (Return to Savage Beach) fashion, the plot is twisted in more ways than a pretzel, so we spend most of the middle of the movie away from them. That turns out to be fine, because despite the size of Hawaii's islands (where the film takes place), it takes Donna and Taryn two days to fly - and crash land - on Savage Beach. That's plenty of time to meet the military personnel who are infiltrated by the CIA and want to help a Leftist rebel (Rodrigo Obregon) take over the government of the Phillippines, but not before he hooks up with porn star Teri Weigel. Twice - once in his hotel room and then again in his limo. Also, there's the rest of Donna and Taryn's team, whose names I've honestly forgotten: let's guess they're Rocky (Lisa London) and Pattycakes (Patty Duffek), and uh, the guy who runs it (either Bruce Christian or Shane Abeline). Names aren't something you really remember while watching Andy Sidaris films, despite his love for overcomplicated tales of espionage. I haven't even mentioned go-to Asian Bad Guy Sidekick Al Leong (Die Hard, Lethal Weapon) who has a semi-major role as another interested party in the missing gold.
Bad Science: Science doesn't really factor into Andy Sidaris films. If you wanted to pick nits, there's no way a single engine plane could make it for two days straight of flying, especially when the engine catches on fire in a storm. At least, I think that's what happened. I don't exactly remember, but I also think they weren't using the metal detector correctly. A 5 1/2 floppy drive couldn't hold the kind of software that Computer Control Corporation needs to locate the island where the gold is, but maybe the disc just had the coordinates?
Other Bad Ideas: It would be very, very easy to criticize this movie for its many digressions and unnecessarily complicated story (did I mention there's a flashback in the middle of the movie?), but that's kind of why you watch Andy Sidaris movies. That, and the excessive, comical overuse of gratuitous nudity. Why do Donna and Taryn need to take off their shirts while flying and put on new ones? Because boobs. Why are Pattycakes and Rocky sleeping next to the hot tub? So they can take their tops off and change clothes when the boss calls. Obviously. The only thing that Sidaris likes more than mammaries are explosions, of which there are plenty. He stages an opening sequence where the girls bust a drug smuggling operation (heroin hidden in pineapples) just so the bad guys can drive off in a van that blows up. If you like explosions and boobs, then you saw Andy Sidaris movies on Cinemax when you were in middle school. As an adult, it's almost absurd how flimsy the excuses are to get any actress topless. Almost as absurd as how seriously the plot takes itself for a glorified T&A movie.
Wait, Didn't You Mention a Japanese Soldier on Savage Beach?: I did. Thanks for remembering. He's wearing terrible "old age" makeup and follows Donna and Taryn around on the island, which is where everybody converges for the big finale. He becomes protective of Taryn, apparently because he recognizes her as the child in a photo he's been carrying since World War II. From the American soldier he dishonorably killed. But kept the photo. His fellow soldiers committed hara kiri and walked into the ocean, respectively. But not him. He kept a photo. A color photo. From World War II. Because, boobs. Obviously.
Recurring Summer Fest Themes: Gratudity, Explosions in Close Proximity to Actors, Vehicular Chicanery, Tropical Setting, Flashbacks.
Final Prognosis: The most fun to be had watching an Andy Sidaris film as an adult is to see it with women, who are often baffled that his films even exist. Their commentary on the film was almost as funny as seeing the myriad of lame excuses to disrobe, or comparably dumb excuses to blow things up. I'm not saying Sidaris is a one-trick pony (more like two), but he always finds new and stupid ways to use those tricks when there's no logical reason to. I also wasn't aware that there were more Donna and Taryn adventures, so after Hard Ticket to Hawaii, it seemed necessary to continue their story. I guess we'll have to watch Picasso Trigger at next year's Bad Movie Night, because Return to Savage Beach is less plot and more or less just softcore porn. That's not what we're looking for - it's early Sidaris or bust. Pun intended.
Godzilla on Monster Island
Year of Production: 1972
What's the Haps, Cap?: I already reviewed this movie. Not that long ago. You can read it here, as it's pretty amusing, if I say so myself (and I do.
Who's the Hero: See above link.
Bad Science: Space Cockroaches. 'Nuff Said.
Other Bad Ideas: Again, Space Cockroaches. Need I say more?
Recurring Summer Fest Themes: Space Cockroaches.
Final Prognosis: I'm really at a loss as to why Space Cockroaches isn't enough to explain why Godzilla on Monster Island was a "no-brainer" inclusion into Summer Fest.
Super Secret Trappening - Ninja III: The Domination
Year of Production: 1984
What's the Haps, Cap?: Similarly to Godzilla on Monster Island, Ninja III: The Domination has been covered before (it was the showcase feature of last year's Summer Fest), so I will accordingly link it here.
Who's the Hero: In case you didn't click the link (and you should), I'll just say that Christie (Lucinda Dickie), is both an aerobics instructor AND a Lineman (Linewoman?). And a possessed ninja. Her creepo cop boyfriend / back hair aficionado Billy (Jordan Bennett) also counts, I guess, since Christie is technically also the villain. Plus Sho Kosugi (Himself) is a good ninja, because only a ninja can stop a ninja. Something like that.
Bad Science: We're talking about a movie where an arcade game called Bouncer that looks exactly like Diner Dash uses lasers to hypnotize Christie so a floating sword can come out of her closet. I don't think "science" really factors in here.
Other Bad Ideas: Worst use of V8 ever. Or is it best? Also, back and shoulder hair dude - keep that shirt on. Seriously, it's disgusting. You're already questionable enough not helping Christie fight off rapists and then arresting her just to get a date out of the deal. Get that shit waxed, or never take your shirt off. Ever.
Recurring Summer Fest Themes: Southwestern Locations, Ninja, Attempted Exorcism, Using the Dead for Nefarious Purposes, Surprisingly Violent.
Final Prognosis: People were really worried about this year's Trappening. It's understandable, because of what a "Trappening" is, but also because they know I have Things up my sleeve. Nobody wants to watch Things again. Barrett argued he'd rather watch Things for the first time than see The Happening again, and wouldn't believe the assurances of everyone who had seen Things that he would, in fact, not. One person even put his shoes on when I suggested it might be Things, but this was a "nice" Trappening. I'm not always a sadist. Sometimes that just ends up being the next movie, which brings us to...
Destroyer
Year of Production: 1988
What's the Haps, Cap?: After the execution of Ivan Moser (Lyle Alzado) goes awry, a prison riot breaks out, a fire starts, and the whole institution is shut down. Moser goes missing, and the prison is gutted. 18 months later, an exploitation film crew sets up shop in the facility to film a "women in prison" cheapie, but someone... or some thing, is taking them out, one by one. Can the film's writer and stuntwoman solve the mystery before the killer claims them?
Who's the Hero: That'd be the aforementioned writer, David Harris (Clayton Rohner) and stuntwoman, Susan Malone (Deborah Foreman), who are on the periphery of the production. In addition to putting up with a frustrated director (Anthony Hopkins) and a temperamental "star" (Lannie Garrett), they have to contend with a recently renovated electric chair - courtesy of FX man "Rewire" (Jim Turner). And, Susan has a mystery admirer, quite possibly the same person mutilating the cast, crew, and former Warden (Pat Mahoney). Will they figure out if Moser is alive? Or how he survived if he is? Will I even care by the time they do?
Anthony Perkins? Not that Anthony Perkins: Oh yes, that one. It's one of his last roles, and not a great one to go out on. Not only is Perkins phoning it in as the director of the film within a film, he's not sitting in the electric chair when Susan tries to save him. The guy doesn't even look like Perkins. Don't come in thinking he'll save the movie for you - that'd be a Norman Bates and Switch (zing!).
Bad Science: It's pretty clear nobody involved in Destroyer had the slightest idea how an electric chair works. When Shocker does a better job, you know you're in trouble. Beyond that, the power situation in the prison has some pretty questionable rules, and I'm not even sure where the underground parking garage is supposed to lead. Other than that, I guess we can chalk most of it up to "slasher movie tropes."
Other Bad Ideas: Let's start with "filming in a prison with a botched execution where the body was never recovered." We can end there, too.
Recurring Summer Fest Themes: Explosions in Close Proximity to Actors, Gratudity, Movies Made in the Same Year, Fake Out Dream Sequences.
Final Prognosis: I was really excited to see Destroyer, based on its awesome poster and trailer. It seemed like an even sleazier version of Shocker or The Horror Show, but instead it's just crap. Ivan Moser's "one liners" are mostly limited to "Bitch!" and he can't even pull off the Maniac Cop knock-off scenes late in the film. The "twist" is pretty lame (SPOILER the janitor is his dad and hid him in the basement) and anybody that hadn't left before the movie was over was asleep halfway in. I got so bored that I started cleaning. It's not totally unwatchable like, say, Suburban Sasquatch, but Destroyer comes pretty close. Fortunately, almost everybody split after Ninja III: The Domination, so nobody had to know that Day Two ended with an unwelcome stinker. I had such high hopes, too...
Ah well, tomorrow is another day. Well, technically, it's just later today. I need to sleep. Like now. See you in a few hours...
Saturday, July 13, 2013
Summer Fest 5 (Day Two): Ninja III - The Domination
Holy catballs what the hell was that? Ninja III: The Domination is the kind of movie I could spend the rest of the weekend trying to explain to you and still not do it justice. There are so many inexplicable moments of sheer insanity, of downright "what were you thinking when you made this"-ness that you have to see it to believe it. Miami Connection is a collection of well intentioned failures that entertains through its earnestness, and Ninja III: The Domination still blows it out of the water for pure "WTF" factor. They're also both about ninjas (kind of).
If we're getting technical about this, Ninja III is the third film in a series that began with Enter the Ninja and continued with Revenge of the Ninja, in that all three films feature Shô Kosugi in different roles, but usually as some kind of ninja character. The star of Ninja III: The Domination is Lucinda Dickey (Breakin', Cheerleader Camp), as Christie, who is somehow both a lineman (linewoman?) and an aerobics instructor in Arizona (hey, that's where Kingdom of the Spiders took place!) who has a chance encounter with a ninja (David Chung) and is possessed by his spirit through his sword.
Well, let's step back a bit, because I think recapping what happens before Christie's encounter with the evil ninja. After the Cannon Films logo (always a promising sign for movies made between 1980 and 1994), the ninja goes into his cave and opens a secret compartment, revealing his ninja gear, which he'll need to assassinate some guy playing golf. So right off the bat, we have a ninja on a golf course in broad daylight, killing his target and all of the guys bodyguards, and then the police arrive, and he kills most of them (including taking down a helicopter) and escapes two cops on motorcycles by running between them. Even after being filled with more bullets than the guy who "tested" ED-209 in Robocop, he manages to throw a smoke pellet and disappear (SPOILER ALERT: in true misdirection, he just buries himself where he was standing) and then Christie comes over to check out the ruckus.
I know it's a cheap and easy out to drop the phrase "phallic imagery" when talking about a movie, but it's hard to argue that going from "mounting a pole" to "gripping his sword" is just a cigar, to mix metaphors a bit. There's a lot of "does that mean penis" imagery going on in the film, and I haven't even begun to cover what Ninja III is actually about. Oh no, the golf course is just the set up, because Christie is possessed by the ninja so that he can take revenge on the police who killed him. For reasons the narrative doesn't necessarily need but the audience most certainly does, we know she's being possessed by the ninja when his sword starts glowing and floats around her apartment.
Oh yeah, did I mention that this movie can roughly (and fairly) be described as "Enter the Ninja meets The Exorcist"? Because it can, but if Exorcist II: The Heretic exemplified everything people think of about trashy 70s culture, Ninja III epitomizes what people who didn't live through the 1980s imagine the decade was like. I have no idea how, even with two jobs, Christie can afford the studio apartment she has, or how she managed to decorate it like every guy in college would imagine his first apartment would look like, but the set designer and art department must have cleared out every dorm room in Arizona to make it so. In addition to free-standing lockers, a payphone, a coffee table that's clearly just a spindle, and steel girders as a bed frame, Christie also owns an arcade box with a game that looks suspiciously like a proto-Diner Dash. It turns out only to be in the movie so that it can hypnotize her with lasers (I cannot make this up) BEFORE the floating sword flies out of her closet.
During one particularly fantastic scene, the sword decides it's time to possess Christie, but she's having none of it. The apartment goes all Poltergeist and instead of freaking out she turns up her boombox and starts dancing. Take that, ninja! (SPOILER: She doesn't win - the boombox explodes).
Christie's new found ninja powers raise the attention of police officer Billy Secord (Jordan Bennett), who watches her take out would-be rapists while standing there and doing nothing, and then arrests her as a pretext for asking her out. This begins their awkward courtship, which includes the sexiest use of V-8 you're ever going to see (I'm certain of that). While Billy does wear ball-hugging pants at some point (every movie during Summer Fest apparently must have this), it's his out-of-control back hair that provides most of the "ewwww" factor. Oh, Billy is also one of the police responsible for gunning down the ninja, so conflict!
I'm leaving out so many amazing moments because you really need to see Ninja III: The Domination for yourself, but just in case I haven't sold you already, James Hong appears as a kind-of Japanese exorcist about halfway through the film, there's a ninja massacre during a policeman's funeral, a battle involving a pool table, a showdown at a Buddhist Temple, and that's all before Shô Kosugi shows up as a rival ninja who wants to stop the spirit of the ninja who took his eye. He wears the hilt of a sword as his eye patch. Again, I cannot make up how insane Ninja III is. The movie's rampant insanity caused one viewer to lose an hour and a half's worth of sewing because she was too focused on the ridiculous shenanigans onscreen. This is not a "maybe" watch - Ninja III: The Domination is a MUST watch, and the highlight of an already stellar Fest.
Summer Fest 5 (Day One): Miami Connection
There's something you should probably know about Miami Connection (no "the"), and it's not that the movie takes place in Orlando: the story of how Miami Connection came to be, and subsequently, almost "not to be," is more interesting than almost anything that happens in the movie. Don't get me wrong - watching a bunch of non-actor, non-musician, martial arts students and their motivational speaker master try to tell Romeo and Juliet with motorcycle riding ninjas and rocking synthesizer tunes has entertainment value. It's just not as crazy as how Miami Connection even made its way to a re-release, courtesy of Drafthouse Films.
I don't want to rehash it, because every single review I read had a recap, so I'm just going to put a link to this CNN article that covers the basics pretty well. Just know that Miami Connection only had a slightly longer theatrical lifespan than Death Bed: The Bed That Eats and that we were a hurricane away from never being able to watch this movie. Whether you determine that to be a good or bad thing is entirely up to you.
For me, I'd like to side-step most of the amateur acting, the fact that Dragon Sound seem to be barely aware of how to play their instruments, or the earnest message promoting non-violence that follows the heroes of the film brutally murdering the ninja gang who ambushes them. If you want a laundry list of the reasons why Miami Connection qualifies as a "disasterpiece," reviews are plentiful. You will laugh quite a bit, you'll scratch your head. You might even hurl.
But instead of covering well tread ground, I thought I'd point out for all the things that Kim and co-director Woo-Sang Park (Chinatown 2) - under the pseudonym "Richard W. Park" - do badly, they do manage to set up plot elements and pay them off later. Not consistently, and perhaps not always very well, but there IS an attempt to introduce a seemingly pointless plot element and then come back to it later.
For example, let's take the scene where Kim and two students are sparring on the campus of the University of Central Florida for what feels like fifteen minutes. In addition to demonstrating that Kim is very good at making his students look foolish, the scene also establishes knife defense and foreshadows how the climactic battle will end, all while seeming to be playful, pointless padding.
Much has been made of the "I found my father" subplot of Miami Connection, mostly in the quasi-ironic "for your consideration" video on Youtube, but most of the movie is a series of "Dragon Sound does something, is followed by the rival band, and fights" until it's time to do that all over again. This goofy attempt to add pathos to one of the members at least goes somewhere, and more importantly, leads directly to the final showdown between the ninjas from Miami and our heroes, who spent most of the film never even in the same room together. Dare I say it even tricks us into believing there might be tragedy befalling our happy-go-lucky band of misfits?
Okay, so I'm giving Miami Connection more credit than most people are willing to, but it only seems fair to approach this review in a manner other than "ha ha, it's SO BAD and you're going to laugh at how bad it is" because that's the general consensus. Miami Connection is, at times, like the line in Ghost World when Enid says "this is so bad it's gone past good and back to bad again." There's an undeniable earnestness behind all of the lack of acting chops, and everybody's giving it their very best. It's just not always enough.
But damn if "Friends Forever" and "Against The Ninja" aren't catchy songs. And sometimes, the movie that seems to be going nowhere takes the time to foreshadow, which is more than I can say for some of the movies we're watching this weekend...
Speaking of which, our next film is Lifeforce, from a list of people who are too talented to make something this boring...
Monday, April 19, 2010
Blogorium Review (kinda) - Bionic Ninja
Folks, this is the danger of imprecisely titled movies, particularly ones about ninjas.
This is what I thought I was going to see:
But there is no such movie available on Netflix, or Amazon. In fact, they rerouted me to Bionic Ninja, which has an IMDB page that sure looks like the trailer above. But it turns out what I was looking for is this movie. That movie (Rage of Ninja) is only available on VHS, so the Bionic Ninja I picked up for $4 (with three other Ninja movies) is pretty much a bust.
See, Bionic Ninja, while from the same director (Godfrey Ho, using one of his many aliases) is nowhere as interesting as the trailer above. Since there's no trailer for Bionic Ninja, I can't show it to you, but it wouldn't matter. The plot is incomprehensible:
Bionic Ninja has something to do with the KGB using ninjas in Hong Kong to steal a secret formula for... something, except that they fail to steal the formula before some other guys do. A CIA agent then arrives, but is really British, or something, and he becomes fascinated by the "magic" ninjas. I say "magic" in part because he calls them magicians but also because the ninjas are able to appear and disappear at whim. Not "sneak off into the night" disappear, but literally just pop in and out of a scene as though editing trickery were at play (hint: it is).
There are at least ten other characters I counted that have something to do with the plot, but they're so poorly identified and are piled on top of each other so quickly that it's impossible to figure out exactly what's happening, who is doing what to whom, or what any of it has to do with the formula, the KGB, or the ninjas.
After a while, I got bored and hit the "fast forward" button until I saw instances with ninjas, which it turned out were few and far between. There was a kind-of training montage with the hero, and then a pretty lousy fight in a storage yard with two guys in ninja costumes shooting Uzis for no good reason. There is no Bionic Ninja that I could find, nor do the ninjas even really do anything except jump around. There are some other fight scenes, but when you don't really know who is fighting or what they're fighting about, it's pretty easy to lose interest, so I tuned out about halfway in.
More than anything, I was bummed that this wasn't Rage of Ninja, which was what I was hoping for. When I watch a ninja movie, I'm not looking for sleek assassins hiding in the dark and being badasses; I want truly nonsensical fight scenes coupled with bad dubbing and a white dude who has no business mixing it up with martial artists. Something like this:
Huh. Funny, I think that's the other half of the double feature with Bionic Ninja. Maybe all is not lost...
This is what I thought I was going to see:
But there is no such movie available on Netflix, or Amazon. In fact, they rerouted me to Bionic Ninja, which has an IMDB page that sure looks like the trailer above. But it turns out what I was looking for is this movie. That movie (Rage of Ninja) is only available on VHS, so the Bionic Ninja I picked up for $4 (with three other Ninja movies) is pretty much a bust.
See, Bionic Ninja, while from the same director (Godfrey Ho, using one of his many aliases) is nowhere as interesting as the trailer above. Since there's no trailer for Bionic Ninja, I can't show it to you, but it wouldn't matter. The plot is incomprehensible:
Bionic Ninja has something to do with the KGB using ninjas in Hong Kong to steal a secret formula for... something, except that they fail to steal the formula before some other guys do. A CIA agent then arrives, but is really British, or something, and he becomes fascinated by the "magic" ninjas. I say "magic" in part because he calls them magicians but also because the ninjas are able to appear and disappear at whim. Not "sneak off into the night" disappear, but literally just pop in and out of a scene as though editing trickery were at play (hint: it is).
There are at least ten other characters I counted that have something to do with the plot, but they're so poorly identified and are piled on top of each other so quickly that it's impossible to figure out exactly what's happening, who is doing what to whom, or what any of it has to do with the formula, the KGB, or the ninjas.
After a while, I got bored and hit the "fast forward" button until I saw instances with ninjas, which it turned out were few and far between. There was a kind-of training montage with the hero, and then a pretty lousy fight in a storage yard with two guys in ninja costumes shooting Uzis for no good reason. There is no Bionic Ninja that I could find, nor do the ninjas even really do anything except jump around. There are some other fight scenes, but when you don't really know who is fighting or what they're fighting about, it's pretty easy to lose interest, so I tuned out about halfway in.
More than anything, I was bummed that this wasn't Rage of Ninja, which was what I was hoping for. When I watch a ninja movie, I'm not looking for sleek assassins hiding in the dark and being badasses; I want truly nonsensical fight scenes coupled with bad dubbing and a white dude who has no business mixing it up with martial artists. Something like this:
Huh. Funny, I think that's the other half of the double feature with Bionic Ninja. Maybe all is not lost...
Labels:
bad movies,
Ninja,
Orientalism,
trickery,
What the Hell was that?
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