Showing posts with label Killbots. Show all posts
Showing posts with label Killbots. Show all posts
Monday, October 8, 2012
It's the Most Wonderful Time of the Year!
Forget December, the month of October has and likely will always be Cap'n Howdy's favorite time of the year. After all, you don't give yourself a bastardized moniker from The Exorcist without being into horror movies, and the season of Samhain / Devil's Night / Halloween is exactly the time for a good scare.
As many of you know, the Cap'n also holds my annual festival of shocks this time of year, and Horror Fest VII will be a-happening, albeit probably later than usual for reasons I'll get into when the official announcement is made. In the meantime, I like to stack October with reviews for horror films, so while I will continue to watch movies like Looper and The Campaign, the focus from here on out will be on thrills and chills, with the occasional horror documentary thrown in for good measure.
However, as the Cap'n finds himself at work more often than he isn't, I haven't had the time I normally have to seek out horror movies I haven't seen. That makes it harder to share them with all of you, so I'm opening up the comments for solicitations, recommendations, and any ideas of "theme" reviews (like looking at a series of films or one particular actor/actress's body of work).
Below, I'm going to try to list as many horror films as I can remember having seen so you don't have to deal with Cap'n Buzzkill saying "seen that" over and over. In all honesty, while I have seen many horror films, there are a LOT I haven't and even more I haven't heard of that I'm sure would be cool to see. Just a note: I have tried and failed to enjoy Syfy Channel Original Movies, and don't see that changing.
Alternately, you can use the below list to construct your own October movie playlist. This way, we both win!
---
The Universal Classic Monsters: Dracula, Frankenstein, The Mummy, The Invisible Man, Bride of Frankenstein, The Phantom of the Opera, Son of Frankenstein, The Wolf Man, Ghost of Frankenstein, Frankenstein Meets the Wolf Man, Creature from the Black Lagoon, Revenge of the Creature, The Creature Walks Among Us, Werewolf of London.
The Classics: Nosferatu, The Cabinet of Doctor Caligari, M, The Old Dark House, The Haunting, Night of the Living Dead, The Exorcist, Halloween, Rosemary's Baby, The Omen, The Last House on the Left, The Hills Have Eyes, Carrie, Godzilla, Island of Lost Souls, Vampyr, Blood Feast (?), The Texas Chain Saw Massacre, Alien, Suspiria, The Shining, Psycho.
Hammer Horror: The Horror of Dracula, Taste the Blood of Dracula, Dracula has Risen from the Grave, The Curse of Frankenstein, Dracula A.D. 1972, Plague of the Zombies, Legend of the 7 Golden Vampires, The Woman in Black.
Werewolves: An American Werewolf in London, The Howling, Ginger Snaps, Ginger Snaps 2: Unleashed, Ginger Snaps Back, Dog Soldiers, Werewolf in a Girl's Dormitory, The Werewolf vs. the Vampire Woman, Silver Bullet, Bad Moon, Waxwork (?).
Vampires: Mark of the Vampire, Return of the Vampire, Martin, The Lost Boys, Let the Right One In, Curse of the Undead, Fright Night, Fright Night II, From Dusk Till Dawn, From Dusk Till Dawn 2: Texas Blood Money, Slaughter of the Vampires, Vampire's Kiss, Shadow of the Vampire, Innocent Blood, Daybreakers, The Hunger, Thirst, Near Dark, The Lost Boys: The Tribe, Dracula 2000, Bram Stoker's Dracula, I Am Legend, The Omega Man, The Last Man on Earth, 30 Days of Night, 30 Days of Night: Dark Days, Cronos, Sleepwalkers, Salem's Lot, Vampire Hunter D, Rabid.
Ghosts: The Lady in White, The Orphanage, The Devil's Backbone, Hillbillys in a Haunted House, The Entity, House on Haunted Hill, Thirteen Ghosts, The Asphyx, The Others, The Frighteners, The House by the Cemetery.
Zombies / Infected / Fake Zombies: Dawn of the Dead, Day of the Dead, Land of the Dead, Diary of the Dead, Survival of the Dead, 28 Days Later, 28 Weeks Later, The Crazies, The Signal, Pontypool, Zombi 2, The Living Dead at Manchester Morgue, Dead Snow, Cemetery Man, Dead & Buried, Planet Terror, Fido, [REC]3: Genesis, Abraham Lincoln vs. Zombies, The Dead, Dead Alive / Braindead, Bong of the Dead, Zombies on Broadway, Zombie Strippers, Tombs of the Blind Dead, The Dead Hate the Living.
Evil Houses / Hotels / Etc.: Hausu, The Amityville Horror, Poltergeist, The Inkeepers, 1408, The Legend of Hell House, Silent Hill.
Creature Features: The Giant Claw, The Boogens, ThanksKilling, Rise of the Animals, Ghoulies, Ghoulies 2, Troll, Troll 2, Alligator People, Them!, Feast, Feast II: Sloppy Seconds, Feast III: The Happy Ending, Black Sheep, C.H.U.D., Night of the Lepus, Shark Attack 3: Megalodon, Weasels Rip My Flesh, Kingdom of the Spiders, Mega Shark vs. Giant Octopus, Matango, Piranha, Jeepers Creepers, Jeepers Creepers 2, Phenomena, Monsturd, Attack of the Crab Monsters, Little Shop of Horrors, The Gingerdead Man.
Killbillies: The Texas Chainsaw Massacre 2, Leatherface: The Texas Chainsaw Massacre III, Wrong Turn, Wrong Turn 2: Dead End, The Hills Have Eyes Part 2, The Devil's Rejects, House of 1000 Corpses, I Spit On Your Grave.
Killbots: Chopping Mall
Killer Trees: The Happening, From Hell It Came, The Navy vs. the Night Monster.
Found Footage: [REC], [REC]2, Cloverfield, The Blair Witch Project.
Aliens / Invaders / Etc.: Invaders from Mars, Invasion of the Body Snatchers, Fiend without a Face, Flesh Eaters from Outer Space, A Taste for Flesh and Blood 2, Galaxy of Terror, The Blob, Beware! The Blob, Forbidden World, The Deadly Spawn, Plan 9 from Outer Space, The Whisperer in Darkness, The Call of Cthulhu, Alien Apocalypse, Terminal Invasion, Attack the Block, Terrorvision, The Stuff, The Galaxy Invader, Bad Taste, The Faculty, The Thing from Another World.
Satan / Demons / Pagans / Witches / Etc.: Night of the Demons, The House of the Devil, Incubus, Demons, Demons 2, The Church, Book of Shadows: Blair Witch 2, The Wicker Man, From Beyond, The Gate, Inferno, The Mother of Tears, Satan's Little Helper, The Rest of the Exorcist movies, Season of the Witch, Equinox, Lisa and the Devil, Manos: The Hands of Fate.
Killer Santas: Silent Night, Deadly Night, Silent Night Deadly Night Part 2, Saint, Rare Exports: A Christmas Tale, Santa's Slay, Christmas Evil.
The John Carpenter Section: In the Mouth of Madness, The Fog, Prince of Darkness, The Ward, Ghosts of Mars (?), Vampires, The Thing.
Anthologies / Amicus: Tales from the Crypt, The Vault of Horror, The House That Dripped Blood, Doctor Terror's House of Horrors, From Beyond the Grave, Tales That Witness Madness, Tales from the Darkside: The Movie, Trick 'r Treat, Creepshow, Creepshow 2, House of Frankenstein, Trilogy of Terror, Cat's Eye, Black Sunday, Chillers, Spirits of the Dead, Tales of Terror, Two Evil Eyes, Twilight Zone: The Movie.
Blaxploitation: Blacula, Blackenstein, Dr. Black and Mr. Hyde, Scream Blacula Scream, Abby, Tales from the Hood.
Slasher Flicks / Giallo: Black Christmas, The House on Sorority Row, Slumber Party Massacre (1-3), Sleepaway Camp, The Burning, The Prowler, Uncle Sam, Splatter University, All the Boys Love Mandy Lane, Maniac Cop, The Stepfather, Maniac, The Driller Killer, The Stepfather 2, See No Evil, Cheerleader Camp, A Night to Dismember, Hollywood Chainsaw Hookers, Sorority Babes at the Slime Ball Bowl-o-Rama, Mortuary, Evil Laugh, Visiting Hours, April Fool's Day, The New York Ripper, The Tool Box Murders, Seven Deaths in the Cat's Eye, Cat in the Brain, Four Flies on Grey Velvet, The Bird with the Crystal Plumage, Deep Red, Blood and Black Lace, Pieces, Blood Runs Cold, Sisters, Dressed to Kill.
Horror Series: Friday the 13th, A Nightmare on Elm Street, Hellraiser, Halloween, The Evil Dead, Child's Play, Leprechaun, Re-Animator, Phantasm, Return of the Living Dead, Saw, Resident Evil, Scream, Wishmaster, Hostel, Underworld, Blade.
Remakes: Quarantine, Quarantine 2: Terminal, The Texas Chainsaw Massacre, Dawn of the Dead, John Carpenter's The Thing, The Fly, The Crazies, Shit Coffin, Shit Coffin 2, Fright Night, Piranha 3D, Piranha 3DD, Don't Be Afraid of the Dark, The Hills Have Eyes, House on Haunted Hill, Th13een Ghosts, The Wicker Man, Night of the Living Dead, My Bloody Valentine 3D, The Wizard of Gore, The Thing (remake/prequel), The Ring, The Ring 2, Willard, Night of the Living Dead 3D, The Wolfman, The Blob, Bodysnatchers, Invasion of the Body Snatchers, The Haunting.
Horror Documentaries: Fangoria Weekend of Horrors, The Texas Chainsaw Massacre Revisited: A Family Portrait, Halloween: 25 Years of Terror, His Name was Jason, More Brains: A Return to the Living Dead, Never Sleep Again: The Elm Street Legacy, Val Lewton : The Man in the Shadows, Screaming in High Heels: The Rise and Fall of the Scream Queen Era, Best Worst Movie, Going to Pieces: The Rise and Fall of the Slasher Film, American Scary.
Horror Comedies / Parodies / Etc.: Abbott and Costello Meet Frankenstein, Shaun of the Dead, Student Bodies, Return to Horror High, Attack of the Killer Tomatoes, Scary Movie, Scary Movie 2, Killer Klowns from Outer Space, Beetlejuice (?), Ghostbusters (?), House, House II: The Second Story, Drag Me to Hell, Tucker and Dale vs. Evil, 2001 Maniacs, Basket Case, The Haunted World of El Superbeasto, It's Alive, Night of the Comet, Night of the Creeps, Cabin Fever, I Sell the Dead, Some Guy Who Kills People, Slither, The Monster Squad, Dead Heat, Zombieland, The Puppet Monster Massacre, Cabin Fever 2: Spring Fever, My Name is Bruce, Jack Brooks: Monster Slayer, Buffy the Vampire Slayer, Dark Shadows, Tales from the Crypt Presents Demon Knight, The House of Long Shadows, Tales from the Crypt Presents Bordello of Blood.
Meta Horror: The Cabin in the Woods, Behind the Mask; The Rise of Leslie Vernon, Rubber, Funny Games.
Things That Don't Exactly Fall Into Those Categories: The Descent, Absentia, The Descent Part 2, Blood Car, Teeth, The Mist, The Ruins, Death Bed: The Bed That Eats, The Toxic Avenger, Frankenhooker, Street Trash, High Tension, Martyrs, House of Wax, The Raven (1932), The Black Cat, May, Roman, Sleepy Hollow, Faces of Death, Mary Shelley's Frankenstein, Godsend, Village of the Damned, The Bad Seed, Maximum Overdrive.
Okay, so this isn't everything, but I have to stop for now. As I remember more, I'll update more, but please let me know if there's something I NEED to see or would really enjoy or if there's something you really want me to review.
Labels:
Halloween,
Hammer Horror,
Horror Fest,
Horror Films,
Killbilly,
Killbots,
Vampires,
Zombies
Monday, July 5, 2010
Summerfest 3 Bonus Film: Chopping Mall
After the 4th of July cookout elsewhere, the Cap'n and a small circle of Summerfest maniacs returned to the Apartment that Dripped Blood to watch the "final" final film of the fest as it exists in North Carolina: Chopping Mall.
As I've already reviewed Chopping Mall during last year's Summerfest, this review is going to rely strictly on things we noticed for the first time. When you've seen a movie like Chopping Mall as many times as we have, it's a pleasant surprise when you focus on obscure things like the "more butter" guy and catch background details that escaped previous viewings.
Like what, you say? How about the customers shopping behind Dick Miller when the mall is clearly supposed to be closed? Or the stores, some of which can't possibly be real (okay, some of them aren't real, like Peckinpah's gun shop, or Roger's Little Shop of Animals). But what about House of Almonds? Are there really that many types of almonds available in Los Angeles that you can open an entire store devoted to them? Or the shop that sells Toy Houses and Cuckoo Clocks? A restaurant called "Restaurant"? Yes, as you can guess, I spent a considerable period of time paying attention to the store names, but there's more.
In all the years I watched this film. I'd somehow never caught the names of Paul Bartel and Mary Woronov's characters, Mr. and Mrs. Bland, which does in fact make this a semi-spin-off of Eating Raoul. Or that Dick Miller is playing Walter Paisley, the same character he played in A Bucket of Blood (and The Howling!). I'd noticed the Roger Corman references elsewhere, but somehow missed those. And the Cap'n calls himself a film geek...
Chopping Mall is also a movie that uses "The End" title cards twice during its runtime, neither of which occur at the end of the movie. This sort of trickery must have wreaked havoc on the unsuspecting TV viewer. Or not. Incidentally, according to IMDB, the film was originally released as Killbots, but nobody wanted to see a movie called Killbots. While there is not chopping in Chopping Mall, I have to say that it's certainly the kind of title I gravitated towards in the glory days of Video Bar and Carbonated Video.
Thanks to all who attended Summerfest! The next time I cover this, it'll be from New Mexico. Madness! I'll have pictures up with the honor roll tomorrow, but for now it's time to recuperate...

Like what, you say? How about the customers shopping behind Dick Miller when the mall is clearly supposed to be closed? Or the stores, some of which can't possibly be real (okay, some of them aren't real, like Peckinpah's gun shop, or Roger's Little Shop of Animals). But what about House of Almonds? Are there really that many types of almonds available in Los Angeles that you can open an entire store devoted to them? Or the shop that sells Toy Houses and Cuckoo Clocks? A restaurant called "Restaurant"? Yes, as you can guess, I spent a considerable period of time paying attention to the store names, but there's more.
In all the years I watched this film. I'd somehow never caught the names of Paul Bartel and Mary Woronov's characters, Mr. and Mrs. Bland, which does in fact make this a semi-spin-off of Eating Raoul. Or that Dick Miller is playing Walter Paisley, the same character he played in A Bucket of Blood (and The Howling!). I'd noticed the Roger Corman references elsewhere, but somehow missed those. And the Cap'n calls himself a film geek...
Chopping Mall is also a movie that uses "The End" title cards twice during its runtime, neither of which occur at the end of the movie. This sort of trickery must have wreaked havoc on the unsuspecting TV viewer. Or not. Incidentally, according to IMDB, the film was originally released as Killbots, but nobody wanted to see a movie called Killbots. While there is not chopping in Chopping Mall, I have to say that it's certainly the kind of title I gravitated towards in the glory days of Video Bar and Carbonated Video.
Thanks to all who attended Summerfest! The next time I cover this, it'll be from New Mexico. Madness! I'll have pictures up with the honor roll tomorrow, but for now it's time to recuperate...
Labels:
80s Cheese,
extreme violence,
Killbots,
Summer Fest,
Summer Fest 3
Wednesday, June 23, 2010
The Greensboro Summerfest Massacre Part 3 Lineup
Here it is, ladies and germs. Your official Greensboro Summerfest Massacre Part 3 lineup for July 1st-3rd, 2010.
Several people have asked, but there will be NO Field Trip film this year. Twilight: Eclipse is the only remotely "horror" related film in theatres near Summerfest, and I'm not interested in subjecting any of us to that. We're here to have fun this time!
The Main Attractions:
Featuring Special Guest Films:
Special Appearance By:
Several people have asked, but there will be NO Field Trip film this year. Twilight: Eclipse is the only remotely "horror" related film in theatres near Summerfest, and I'm not interested in subjecting any of us to that. We're here to have fun this time!
Wednesday, February 10, 2010
Me can turn brain off too!
I wanted to take a moment to clear up something. Over the last week or so, it's been suggested to me that people feel I can't just watch a movie for its own sake; that I'm too critically inclined to watch a movie and enjoy it with "going into theory" mode.
While I admit that I do tend to work through a movie when I'm writing about it, the actual process of dissecting a film and getting "critical" doesn't usually occur until after I've finished the movie. For the most part, I try to go into every film I see without too many preconceived notions. It's true that positive and negative reviews do influence me a bit (I am only human, or a human-like robot programmed to pretend he's human), but for the most part, I like being entertained. I really like being surprised by something, and I always thought of myself as awfully forgiving of movies that others have been harsh to.
There are the odd occasions where something in a film makes me switch over into "theory" mode, but it's not actually that common. I don't take notes when I'm watching movies, not even during class screenings. It takes away from the experience for me. When I sit down to write about movies, then the critic / theorist takes over, even during "So You Don't Have To"'s. It takes a special kind of movie (good or bad) to really pull me out of the experience and turn on the critic in the Cap'n.
I only ever try to watch something critically the third or fourth time I've seen it. The first time is purely about experience. The second time I'll try to pick up things I missed, although I'm pretty good at catching narrative tropes (it's kinda hard for me not to see a "twist" coming, so I really like movies that can do that) so I'm looking for details I didn't catch beforehand. For example, Moon is full of recurring visual motifs that make more sense once you know what GERTY is trying to warn Sam Bell about. When I watched it the second time, it's pretty clear exactly what's going on from the get-go, and Duncan Jones puts it all right out there for you to see.
So does this mean that things only occur to me after I finish a movie? Not really. Like I said, I'll catch things and make a mental note of it for later, but I am actually trying to watch any given movie on its own terms. I don't always succeed, but I am not so steeped in theory that I can't just "enjoy a movie without dissecting it."
Glad I could clear that up for you folks.
While I admit that I do tend to work through a movie when I'm writing about it, the actual process of dissecting a film and getting "critical" doesn't usually occur until after I've finished the movie. For the most part, I try to go into every film I see without too many preconceived notions. It's true that positive and negative reviews do influence me a bit (I am only human, or a human-like robot programmed to pretend he's human), but for the most part, I like being entertained. I really like being surprised by something, and I always thought of myself as awfully forgiving of movies that others have been harsh to.
There are the odd occasions where something in a film makes me switch over into "theory" mode, but it's not actually that common. I don't take notes when I'm watching movies, not even during class screenings. It takes away from the experience for me. When I sit down to write about movies, then the critic / theorist takes over, even during "So You Don't Have To"'s. It takes a special kind of movie (good or bad) to really pull me out of the experience and turn on the critic in the Cap'n.
I only ever try to watch something critically the third or fourth time I've seen it. The first time is purely about experience. The second time I'll try to pick up things I missed, although I'm pretty good at catching narrative tropes (it's kinda hard for me not to see a "twist" coming, so I really like movies that can do that) so I'm looking for details I didn't catch beforehand. For example, Moon is full of recurring visual motifs that make more sense once you know what GERTY is trying to warn Sam Bell about. When I watched it the second time, it's pretty clear exactly what's going on from the get-go, and Duncan Jones puts it all right out there for you to see.
So does this mean that things only occur to me after I finish a movie? Not really. Like I said, I'll catch things and make a mental note of it for later, but I am actually trying to watch any given movie on its own terms. I don't always succeed, but I am not so steeped in theory that I can't just "enjoy a movie without dissecting it."
Glad I could clear that up for you folks.
Labels:
critical essays,
Dropping Knowledge,
Killbots,
schoolin',
True Story
Tuesday, October 13, 2009
Relying on Your Expertise
The announcement of a new film by John Landis (The Blues Brothers, An American Werewolf in London) is generally cause for celebration, even if this one is tinged with curiosity. Landis is casting Burke and Hare, two nineteenth century serial killers / grave robbers. So far, we only know who he tapped to play Hare and Burke, but it's pretty good: Simon Pegg and David Tennant.
Why this is so curious to me is that the timing of this comes awfully hot on the heels of I Sell the Dead, the Dominic Monaghan / Ron Perlman / Angus Scrimm movie I meant to watch on Video on Demand but never got around to. Films tend to do this every now and then; a run of two or more movies about roughly the same thing, like Deep Impact and Armageddon, or The Illusionist and The Prestige. Still, 19th century grave robbing isn't really in the cultural zeitgeist in the same way that asteroids or evil babies or messed up European torture porn are. Maybe turn of the century magicians though.
I guess it isn't a gripe so much as an observation. Teaming up David Tennant with Simon Pegg is a great idea, and John Landis has always had a knack for the funny which he supplements nicely with the scary from time to time.
---
Arriving on the old digital versatility disc and Blu-Ray isn't an acronym for anything are four horror movies, two of which I'm keen on and the other two I'm asking for your input on. Believe it or not, I don't have time to watch everything, and I haven't seen everything. In fact, the last day or so I've been not watching movies and playing too much Fallout 3. Seriously, that game is dangerously open-ended...
Where were we? Oh, right! New release Tuesday. Stay frosty.
- After last July's field trip, it was a foregone conclusion that I'd pick up Drag Me to Hell when it came out on Blu Ray. Sam Raimi served me a heaping helpful of "WRONG" for doubting his ability to make a new horror movie, and PG13 at that. For everyone not named Cranpire, DMTH is a clever balance of shrieks and laughs, designed and executed to ratchet the tension all the way up, subvert the "shock" scare, and then hit you when you least expect it. It's also funny in a way Raimi hasn't been since Evil Dead 2. Not that Army of Darkness isn't funny, but it's more jokey than scary. Drag Me to Hell brings them both, and I'll happily eat crow on its behalf.
- I also wasn't going to hesitatepicking up ordering The Stepfather online (cheap local stores aren't carrying it). I already ordered, watched, and enjoyed Stepfather 2: Make Room for Daddy last week, and I haven't seen the original Terry O'Quinn as unbalanced-psycho-dad-from-hell since the glory days of Carbonated Video.
For some reason, I never connected him from The Stepfather to The X-Files or Millennium until the first X-Files movie, and even then it was "That guy". Of course most people know him now as "that dead guy impersonating Locke from Dinosaur Island", so it'll be much more fun to watch than when Neil and I watched Saw to see "Ben Linus from Dinosaur Island" as Jigsaw's patsy. True story!
Okay, there are two movies I know very little about. I have been reading an inordinate amount about them online, and at least one of them sounds like a genuine "cult classic" that slipped through the cracks, so I'm reaching out to anybody that's seen them.
- I swear I'd never heard of Hardware until three weeks ago. Ever. No Dylan McDermott / Lemmy Kilmister / Android-Cyborg-Killing Machine whatever movie existed, as far as I knew. I was living in the ignorant bliss of Chopping Mall, but now there's this movie from 1990 by Richard Stanley that reviewers are calling a lost gem or better than you'd think, so my interest is piqued.
Plus, Severin put the dvd and Blu-Ray out, and if you haven't heard of the company, they're responsible for those very nice editions of The Psychic and Nightmare Castle dvds. They also put out The Inglorious Bastards (with an "A") and call themselves "The Criterion of Smut"! How can you go wrong with that? Okay, plenty of ways, but I have good reason to trust them.
My question is, has anyone seen this? It's been around for almost twenty years, so I'm guessing one of you must have seen it. I mean, Major Tom had seen Terrorvision, and I'd never heard of that until last summer. Get back to me.
- Happy Birthday to Me is a title I'm more familiar with, but it's one of those slasher movies I just never got around to seeing. If I understand the premise correctly, the movie is trying to mimic the Italian giallo style, and promises bizarre and memorable kills. The guy with a barbecue skewer in his mouth on the cover is certainly promising, but I've seen my share of slasher movies that promise a lot (like Splatter University's "Get a Higher Degree... In TERROR!") but then rarely deliver.
What I'm really asking is, am I going to get The Burning or Visiting Hours if I rent Happy Birthday to Me? I like the former, but was bored to tears by the latter. On the other hand, if the kills are really good, I will sometimes give a lesser movie a pass (like the original My Bloody Valentine), so what's the word hummingbirds?
Have you heard about Hugo and Kim?
---
Tomorrow: a review of Anvil: The Story of Anvil, another excellent documentary that won't be nominated for anything next spring.
Also, Shecky's brother, Yankel Shecklestein, is out of prison and reunited with his brother. Pictures of the reunion to follow.
Why this is so curious to me is that the timing of this comes awfully hot on the heels of I Sell the Dead, the Dominic Monaghan / Ron Perlman / Angus Scrimm movie I meant to watch on Video on Demand but never got around to. Films tend to do this every now and then; a run of two or more movies about roughly the same thing, like Deep Impact and Armageddon, or The Illusionist and The Prestige. Still, 19th century grave robbing isn't really in the cultural zeitgeist in the same way that asteroids or evil babies or messed up European torture porn are. Maybe turn of the century magicians though.
I guess it isn't a gripe so much as an observation. Teaming up David Tennant with Simon Pegg is a great idea, and John Landis has always had a knack for the funny which he supplements nicely with the scary from time to time.
---
Arriving on the old digital versatility disc and Blu-Ray isn't an acronym for anything are four horror movies, two of which I'm keen on and the other two I'm asking for your input on. Believe it or not, I don't have time to watch everything, and I haven't seen everything. In fact, the last day or so I've been not watching movies and playing too much Fallout 3. Seriously, that game is dangerously open-ended...
Where were we? Oh, right! New release Tuesday. Stay frosty.
- After last July's field trip, it was a foregone conclusion that I'd pick up Drag Me to Hell when it came out on Blu Ray. Sam Raimi served me a heaping helpful of "WRONG" for doubting his ability to make a new horror movie, and PG13 at that. For everyone not named Cranpire, DMTH is a clever balance of shrieks and laughs, designed and executed to ratchet the tension all the way up, subvert the "shock" scare, and then hit you when you least expect it. It's also funny in a way Raimi hasn't been since Evil Dead 2. Not that Army of Darkness isn't funny, but it's more jokey than scary. Drag Me to Hell brings them both, and I'll happily eat crow on its behalf.
- I also wasn't going to hesitate
For some reason, I never connected him from The Stepfather to The X-Files or Millennium until the first X-Files movie, and even then it was "That guy". Of course most people know him now as "that dead guy impersonating Locke from Dinosaur Island", so it'll be much more fun to watch than when Neil and I watched Saw to see "Ben Linus from Dinosaur Island" as Jigsaw's patsy. True story!
Okay, there are two movies I know very little about. I have been reading an inordinate amount about them online, and at least one of them sounds like a genuine "cult classic" that slipped through the cracks, so I'm reaching out to anybody that's seen them.
- I swear I'd never heard of Hardware until three weeks ago. Ever. No Dylan McDermott / Lemmy Kilmister / Android-Cyborg-Killing Machine whatever movie existed, as far as I knew. I was living in the ignorant bliss of Chopping Mall, but now there's this movie from 1990 by Richard Stanley that reviewers are calling a lost gem or better than you'd think, so my interest is piqued.
Plus, Severin put the dvd and Blu-Ray out, and if you haven't heard of the company, they're responsible for those very nice editions of The Psychic and Nightmare Castle dvds. They also put out The Inglorious Bastards (with an "A") and call themselves "The Criterion of Smut"! How can you go wrong with that? Okay, plenty of ways, but I have good reason to trust them.
My question is, has anyone seen this? It's been around for almost twenty years, so I'm guessing one of you must have seen it. I mean, Major Tom had seen Terrorvision, and I'd never heard of that until last summer. Get back to me.
- Happy Birthday to Me is a title I'm more familiar with, but it's one of those slasher movies I just never got around to seeing. If I understand the premise correctly, the movie is trying to mimic the Italian giallo style, and promises bizarre and memorable kills. The guy with a barbecue skewer in his mouth on the cover is certainly promising, but I've seen my share of slasher movies that promise a lot (like Splatter University's "Get a Higher Degree... In TERROR!") but then rarely deliver.
What I'm really asking is, am I going to get The Burning or Visiting Hours if I rent Happy Birthday to Me? I like the former, but was bored to tears by the latter. On the other hand, if the kills are really good, I will sometimes give a lesser movie a pass (like the original My Bloody Valentine), so what's the word hummingbirds?
Have you heard about Hugo and Kim?
---
Tomorrow: a review of Anvil: The Story of Anvil, another excellent documentary that won't be nominated for anything next spring.
Also, Shecky's brother, Yankel Shecklestein, is out of prison and reunited with his brother. Pictures of the reunion to follow.
Labels:
80s Cheese,
Dinosaur Island,
Giallo,
Killbots,
Sam Raimi,
Shecky,
Slasher Flicks,
Video Nasties,
Yuks
Friday, July 3, 2009
Summer Fest Day Two: Chopping Mall
I don't know what I'm supposed to say about Chopping Mall. It's terrible, but it's perfect.
While I can't argue that there's no way a remake of this movie wouldn't be superior in just about every possible way, I would never want that to happen. This movie doesn't need an improved version, because the charm is in how much it works in spite of itself.
For example, Chopping Mall has no chopping whatsoever. While it does deliver on the promise of the Killbots (listed as Killbots in the opening credits), none of them ever do anything close to chopping. They kind of slice two guys, but no chops. Admittedly, when you come up with a quality pun like "Chopping Mall", you have to roll with it.
The following conversation took place during the film:
"You don't really need to do anything when you have a title like Chopping Mall"
"The script will pretty much write itself"
"And from the looks of it; it did."
And yet, it's hard not to love a movie that wants nothing more than to terrorize some kids in a mall with Killbots. They throw in some Dick Miller, some Paul Bartel, and some Mary Woronov. There's even a young Barbara Crampton (Re-Animator, From Beyond) as the girl in the dual layered leotard, but the Killbots are the stars of the show. The film just barely hits the 77 minute mark, and most of it is spent with the kids running from the Killbots or just Killbots killing people. I was bummed when the "jerk" character died so early, just because he was a d-bag, but not so bad you want him dead right away.
One final note: this movie may have even more bullets fired without reloading than Army of Darkness, which is quite a feat.
Fest Sidenote: At this point, Ad-Rock, the Cranpire and Major Tom begain drinking Wild Irish Rose. Just imagine how that went.
While I can't argue that there's no way a remake of this movie wouldn't be superior in just about every possible way, I would never want that to happen. This movie doesn't need an improved version, because the charm is in how much it works in spite of itself.
For example, Chopping Mall has no chopping whatsoever. While it does deliver on the promise of the Killbots (listed as Killbots in the opening credits), none of them ever do anything close to chopping. They kind of slice two guys, but no chops. Admittedly, when you come up with a quality pun like "Chopping Mall", you have to roll with it.
The following conversation took place during the film:
"You don't really need to do anything when you have a title like Chopping Mall"
"The script will pretty much write itself"
"And from the looks of it; it did."
And yet, it's hard not to love a movie that wants nothing more than to terrorize some kids in a mall with Killbots. They throw in some Dick Miller, some Paul Bartel, and some Mary Woronov. There's even a young Barbara Crampton (Re-Animator, From Beyond) as the girl in the dual layered leotard, but the Killbots are the stars of the show. The film just barely hits the 77 minute mark, and most of it is spent with the kids running from the Killbots or just Killbots killing people. I was bummed when the "jerk" character died so early, just because he was a d-bag, but not so bad you want him dead right away.
One final note: this movie may have even more bullets fired without reloading than Army of Darkness, which is quite a feat.
Fest Sidenote: At this point, Ad-Rock, the Cranpire and Major Tom begain drinking Wild Irish Rose. Just imagine how that went.
Labels:
80s Cheese,
bad alcohol,
Killbots,
remakes,
Reviews,
Summer Fest,
Summer Fest 2
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